The Cast of a Hand: Based on a True Story of Love and Murder in Second Empire France, by G S Johnston
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The Cast of a Hand: Based on a True Story of Love and Murder in Second Empire France, by G S Johnston
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At dawn on the outskirts of Paris in 1869, Hortense Kinck lies buried alive and surrounded by five of her children. Violently attacked, tormented and trapped, she sifts through the truths and deceits of her marriage to self-made industrialist, Jean Kinck. Why had he lied? France, snug in the prosperity of Napoleon III’s Second Empire, is shocked by the vicious destruction of the bourgeois Kinck family. Under pressure from his superiors, the Chief of Police, Monsieur Claude, must unravel the baffling connections between the family and a mysterious young man, Jean-Baptiste Troppmann, a cold case, a famous palmist and France’s rising tide of dissatisfaction with the Emperor Napoleon III. The Cast of a Hand is an unforgettable love story and a murder mystery based on one of the most shocking crimes of 19th century Paris. GS Johnston’s razor sharp prose interweaves and cross-pollinates the two narratives, both desperately trying to arrive at the truth.
The Cast of a Hand: Based on a True Story of Love and Murder in Second Empire France, by G S Johnston- Amazon Sales Rank: #2651439 in Books
- Published on: 2015-09-28
- Original language: English
- Dimensions: 7.81" h x .87" w x 5.06" l,
- Binding: Paperback
- 382 pages
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Most helpful customer reviews
9 of 9 people found the following review helpful. Macabre, suspenseful and poignant By E. M. R. Storrs Macabre, suspenseful and poignant - GS Johnston is expert in drawing the reader into a story that explores both a chilling set of murders as well as the tender devotion of an ill fated mother for her husband and her slain children.Set in the Second Empire of France, the novel is written from two perspectives that are interwoven seamlessly: Hortense, the murdered wife, and Monsieur Claude, the driven Chief Inspector. As Claude hastens to unravel the mystery of whether the enigmatic Jean-Baptiste Troppmann is indeed the architect of the brutal crime, I found myself drawn inexorably to the final moments of Hortense's life as though watching a movie - one hand over my eyes to avoid the sight of inevitable horror yet unable to stop peeking. Johnston is adept at portraying Troppmann as vulnerable, manipulative, cruel and yet ultimately courageous while always keeping the reader's sympathies firmly with Hortense. Rich in history that has clearly been rigorously researched, Johnston brings Paris to life in a time where corruption remained deeply entrenched despite the veneer of newly paved boulevardes and grand buildings.From the electrifying beginning where the dying Hortense lies in her shallow grave, to the grotesque denouement in a Paris jail, A Cast of a Hand grips the reader in a way the ensures tired eyes from reading late into the night and thereafter pondering the melancholic intricacies of murder, justice and a woman's love.
4 of 4 people found the following review helpful. G S Johnston is a master at "show, don't tell." By TABHairoun This story is told in two narratives, an approach that most writers do not do very well. Johnston, however, weaves the two together so well you hardly even notice you are bouncing between them. It's a flow that is not only natural, but amazingly right for this story. I always love how he writes his characters in his books. He gives you just enough description to paint your own picture, not force the author's image on you. That said, somehow he manages to make every character so rich and vibrant. You'll swear he described them in detail because you see them in your mind as if they were right in front of you. You understand them. You pity them, you love them, and at times you hate them.Settle in if you open this book up...you're not going to want to put it down.
3 of 3 people found the following review helpful. The casting of a hand can be a casual, dismissive gesture or science's attempt to identify a murderer. By Ian Thomson We live in a world where the media reporting of the college shootings, serial killers and crimes of passion often grasp at our attention for their online headlines. But how better to set the horror of such dramatic acts into context, than to explore the archetypal nature of such crimes and their perpetrators. In G. S. Johnston’s historical recreation of the murder of Hortense Knick and her children on the outskirts of Paris in the 1860’s, the author offers us a complex and insightful ‘blick’ into the interweaving of the social, medial, legal and political machinations that follow the gruesome discovery and the pursuit of the suspected murderer. But all is not as it may first seem, as the complacent husband, the mercenary suspect, the forensically minded investigator and the self-affirming palmist become hurtled down a labyrinth of questions about whether we are forced to, or born to kill. A historical view on the ‘nature or nurture’ question of murder, that is a relevant today as it was during the trial at the turn of the 19th century. Riveting reading.
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