The Painter's Women: Goya in Light and Shade, by Fionnuala Brennan
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The Painter's Women: Goya in Light and Shade, by Fionnuala Brennan
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"The Painter’s Women: Goya in Light and Shade" is for anyone interested in art, storytelling and the life of a most challenging artist. Francisco Goya's life, work and loves are reflected through the eyes of six women who knew the painter intimately during his long and eventful life: his daughter, wife, mistress, daughter-in-law, a duchess, and a young model. The story opens in 1828 at Goya's deathbed in Bordeaux in the voice of his adored but unacknowledged fourteen-year-old daughter, Rosario, who has stayed and talked to her old father all night after his death. Gumersinda, the wife of Goya's only surviving son Javier, who has travelled reluctantly from Madrid to be at the dying artist's bedside and funeral has a viperish view of her father-in-law and of his work. She is determined that neither Rosario nor her mother Leocadia, Goya's much younger mistress, will inherit any of Goya's wealth. Leocadia recounts the difficulties of living with a taciturn deaf old man. Josefa, Goya's wife of forty years, an unassuming reserved woman, speaks to Goya from her deathbed. She has witnessed his rise to fame and his becoming the Court Painter. She has endured the deaths of six of their infants, his many unexplained absences, the rumours of his affairs. The beautiful, feisty young Duchess of Alba first meets Goya in 1795 when she comes to his studio and commands him to paint her face. After her husband's death, she invites Goya to Andalusia where they spend some months together. Dolores is young girl on the make at the Duchess's home in Andalusia. She is enticed by the Duchess to become Goya's model for some rather audacious drawings. Fionnuala Brennan reveals with knowledge, imagination, and convincingness often contradictory aspects of the character and work of this enigmatic artist who lived through a most turbulent period in European history. “From the six female narrative voices that comprise "The Painter’s Women", there emerges an intriguing portrait of the artist Francisco de Goya. A complex character who insisted that his deafness made him see more clearly, Goya dominates the novel. Ambitious and difficult, unfaithful and generous, uncompromising and volatile: we see the man and the influences, both personal and political, that underpinned such masterpieces as Los Desastres de la Guerra and Los Caprichos.” —Catherine Dunne “The Painter’s Women is a Cubist view of Goya. Fionnuala Brennan creates shards of the great painter as viewed by the women who competed with one another for a slice of his affections. Rich in historical detail and powerfully atmospheric, The Painter’s Women is as dark, passionate and haunting as a Goya masterpiece.” —Mary Morrissy “An original and impressive novel that carries its learning lightly and makes for compelling and enjoyable reading.” —Marie Heaney
The Painter's Women: Goya in Light and Shade, by Fionnuala Brennan- Amazon Sales Rank: #4585072 in Books
- Published on: 2015-09-23
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .54" w x 5.50" l, .61 pounds
- Binding: Paperback
- 214 pages
About the Author Fionnuala Brennan started writing ghost stories at the age of seven and has been writing ever since: journals, accounts of her travels in Europe, Africa and Asia, short stories. Eventually, when she had finished rearing her two daughters and working full time, she decided to release some of this stuff from captivity in her desk drawer and published "On a Greek Island", a travel memoir, a novel called "All Things Return", several prize-winning short stories as well as a two-act play "Bloodroot". "The Painter’s Women" results from her fascination with Francisco de Goya.
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Most helpful customer reviews
0 of 0 people found the following review helpful. In her richly textured new novel 'The Painters Women', ... By mika ming In her richly textured new novel 'The Painters Women', Fionnuala Brennan writes of a time when Spain's power was in decline and Napoleon's armies threatened its borders. During this period Francisco Goya, a highly esteemed and often controversial figure, made works of art that reflected the political and moral struggles that rocked the nation. Goya's brilliance is observed by a supporting cast, a group of women who, with the exception of the flamboyant Duchess of Alba, are usually presented as footnotes in the painter's illustrious biography. Brennan gives the women full voice, and each has a different take, a different agenda, and a different relationship with the renowned artist. These multi-faceted tales are evocative of a period when women were little more than chattel and the highest achievement available to them was the production of children. While some of Goya's women are honest and loving, others have developed complex strategies to survive in a male dominated society, and they use these skills with greater, or lesser, degrees of success, to get what they want from the cantankerous, old genius. Ms. Brennan skilfully coordinates the multiple strands of her stories and integrates them into an exciting, atmospheric, and highly readable novel that celebrates the strengths, and exposes the frailties, of the women in Goya's life.f
0 of 0 people found the following review helpful. A simply wonderful literary portrait of Goya. By Fiona Hyde A simply wonderful literary portrait of Goya, through the eyes of his many women. The book is an incredible account of the painter and his work; both from an art history point of view and also as a character driven piece of literature. The reader is introduced to the complex character of the painter through the eyes of his various female lovers and partners. This is a book I would highly recommend to anyone interested not only in Goya as a painter, but also the psychological mechanics of a genius at work.
0 of 0 people found the following review helpful. A great read - full of historical and psychological insights into ... By SAS A great read - full of historical and psychological insights into the artist's obsession with human frailty, including the cultural repression of women. The inconsistencies, blindness and selfishness we all share - along with our capacity for love and compassion - are both subtly and dramatically demonstrated in the imagined lives of 6 women who lived more than 200 years ago. One is left with the understanding that Goya's art is as necessary and relevant today as ever.
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